Patron Saint of Travelers
Acrylic on raw alderwood
Karen Rivera 2005
Chimayo, New Mexico
In Santa Fe, the image of Our Lady of Guadalupe is honored within the parish’s santuario. Outside, a 12-foot bronze statue of Our Lady of Guadalupe stands near the entrance, its base often decorated with fresh roses. Parishioners accompanied the statue from Mexico City, where it was cast in bronze, to Santa Fe in 2008.
Church is converting a weedy slope in front of its parking lot into a shrine that tells the story of the iconic Our Lady of Guadalupe. The church also will create an Institute for Guadalupe Studies and a Marian Resource Center and Library in the old Guadalupe School and Convent across Agua Fría Street.
The area will be called “Santa Fe’s Hill of Tepeyac.”
“It’s a place where people can come and look for resources about Our Lady of Guadalupe,” Nguyen said.
The Santa Fe Hill of Tepeyac is “a wonderful way to pay honor to our Mother,” parishioner Diana Lujan said.
More from the Santa Fe New Mexican
Our Lady of Guadalupe Shrine
Chimayo, New Mexico
San Raphael on Wood with Scrabble Tiles and Bottlecaps
Chimayo, New Mexico
Copper Turquoise Beads with Vintage Silver Cross
by Jane Beeder
To say Jane Beeder travels the world is an understatement. From her years in spent in the Middle East buying antique strings of hand carved gemstones to her upcoming trip to Russia, Jane never misses a chance to search out the most exquisite and exotic beads for her original jewelry.
Crosses, whether they are antique Navajo sterling silver, gem studded artifacts from Morocco or hand crafted by local Colorado Springs artists, are combined with the rough-hewn gemstones, hand-forged crosses and elegant silver findings that are a hallmark of Jane’s work.
Many of her recent pieces combine Coptic (Ethiopian) Crosses with turquoise beads.
Ethiopian crosses are made from elaborate lattice or filigree work in a baroque style. The artists designing the African crosses take great delight in creating ornate decorative patterns. They embellish a simple cross with trefoils, flared arms, fanciful projections, complex openwork and intertwined patterns of lines that symbolize eternity.
Traditionally worn around the neck on a deep blue cotton cord, the crosses are given to children when they are baptized and they become one of the most prized of all personal possessions.
Jane Beeder combines a hand-carved Antique Lapis Lazuli and Sterling pendant with oversized Lapis Lazuli rondelles and hand made sterling silver beads
Jane’s studio at Cottonwood Center for the Arts is an out-of-the-ordinary voyage. Crammed floor-to-ceiling with Chinese antique cabinets full of exotic beads just waiting to be turned into collectible, wearable works of art, Jane can be found working surrounded by overflowing baskets of chunks of amber, strings frosted 1930’s lucite and tribal beaded headbands
For more of Jane’s necklaces, check out photos of her work here on Fresh Ink.
Jane’s studio, #103, is at 427 E. Colorado in downtown Colorado Springs at Cottonwood Center for the Arts. For more info about Jane’s workshop, call (719) 520-1899. Her work can be purchased at Cottonwood on Tejon or The Boulder Street Gallery in Downtown Colorado Springs.
Our Lady of Miracles
Los Cerrillos, New Mexico
Karen Rivera 2010
Nambe Pueblo, New Mexico
I shoot a lot of cemetaries. For heart-rending, technicolor boisterous displays, you just can’t beat a New Mexican cemetary on Easter, Day of the Dead or Christmas. I’ve made it to my favorite, the Nambe Church cemetary in Nambe, every Boxing Day for most of the last 20 years. I follow that up with New Year’s Day in Acoma. It seems to make the perfect emotional double-header.
I found this small, weathered cross tucked away in a far corner surrounded by tumbleweeds and scruffy dead plants. The new flowers shows that this lonely hidden grave hadn’t been forgotten.
Dave Siemer 2010
Crosses are everywhere you look, even in an alley in a small town in Oregon.
I’ve found that I incorporate crosses into my work, no matter what the medium or the message.
Church Tower with Cross, Chimayo
Chimayo, New Mexico
Karen Rivera 2007
Los Cerrillos has always seemed to me to be the perfect example of a New Mexico boom town. Once the unofficial capitial of the state, it’s now a modern day ghost town on South 14, a few miles north of Madrid.
After the arrival of the Santa Fe Railroad in 1880, shipping the gold, silver, lead, zinc and turquoise from the 3,000 miners in the area no longer had to be shipped by wagon. Los Cerrillos grew to feature 21 saloons, 5 brothels, 4 hotels, several dance halls and a real honest-to-goodness Opera House. The construction of Saint Joseph’s Church on Main Street confirmed that civilization had truly arrived.
Today, the washboard streets and dusty storefronts are a mostly undisturbed reminder of Old West meets celluloid. 13 films have been shot in and around Los Cerrillos, including the 1972 John Wayne movie The Cowboys shot just outside of town. A remnant of the production of Young Guns lingers on a two-story stucco wall. The real Wortley Hotel (Motto: No Guest Gunned Down in Over a 100 Years) is in Lincoln, not Los Cerrillos.
On weekends, Mary’s Saloon and the Casa Grande Trading Post, Cerrillos Turqoise Mining Museum, & Petting Zoo swarm with tourists from the City Different stopping off on the Turquoise Trail. Several seasonal businesses open up with the return of the tourists, adding whimsical touches.
Several artists call Los Cerrillos home. Metal sculptures and eclectic murals are scattered though the tiny town. A few of the gritty, sandblasted storefronts now make it possible to walk under the stars as you stay out of the sun.
My connection with Los Cerrillos was very short-lived. My job working weekends at the Tiffany Saloon and Melodrama ended when, as usual, my confidence in British mechanics was misplaced and my 1961 Morris Mini-Cooper needed a new engine.
Sunday Morning in the Garden of the Gods
Dancing St. Francis
The Cathedral Basilica of St. Francis of Assisi
Karen Rivera 2009
No Pennies, Please
Colorado Springs, Colorado
Patron Saint of the Kitchen
Roadside Tin, Chimayo, New Mexico
Karen Rivera 2006