Copper Turquoise Beads with Vintage Silver Cross
by Jane Beeder
To say Jane Beeder travels the world is an understatement. From her years in spent in the Middle East buying antique strings of hand carved gemstones to her upcoming trip to Russia, Jane never misses a chance to search out the most exquisite and exotic beads for her original jewelry.
Crosses, whether they are antique Navajo sterling silver, gem studded artifacts from Morocco or hand crafted by local Colorado Springs artists, are combined with the rough-hewn gemstones, hand-forged crosses and elegant silver findings that are a hallmark of Jane’s work.
Many of her recent pieces combine Coptic (Ethiopian) Crosses with turquoise beads.
Ethiopian crosses are made from elaborate lattice or filigree work in a baroque style. The artists designing the African crosses take great delight in creating ornate decorative patterns. They embellish a simple cross with trefoils, flared arms, fanciful projections, complex openwork and intertwined patterns of lines that symbolize eternity.
Traditionally worn around the neck on a deep blue cotton cord, the crosses are given to children when they are baptized and they become one of the most prized of all personal possessions.
Jane Beeder combines a hand-carved Antique Lapis Lazuli and Sterling pendant with oversized Lapis Lazuli rondelles and hand made sterling silver beads
Jane’s studio at Cottonwood Center for the Arts is an out-of-the-ordinary voyage. Crammed floor-to-ceiling with Chinese antique cabinets full of exotic beads just waiting to be turned into collectible, wearable works of art, Jane can be found working surrounded by overflowing baskets of chunks of amber, strings frosted 1930’s lucite and tribal beaded headbands
For more of Jane’s necklaces, check out photos of her work here on Fresh Ink.
Jane’s studio, #103, is at 427 E. Colorado in downtown Colorado Springs at Cottonwood Center for the Arts. For more info about Jane’s workshop, call (719) 520-1899. Her work can be purchased at Cottonwood on Tejon or The Boulder Street Gallery in Downtown Colorado Springs.
Traditional Black Celtic Cross with Circles
Alexandra Grey 2009
Saint Fiacre’s Gardener’s Black Celtic Cross
Alexandra Grey 2010
This Black Celtic Gardener’s Cross sparkles with balanced glowing leafy elements. aint Fiacre’s Gardener’s Black Celtic Cross was created to honor Ireland’s Saint Fiacre.
Ireland’s Saint Fiacre is the Patron Saint of Gardeners; taxi cab drivers; venereal disease sufferers; barrenness; box makers; florists; hemorrhoids; hosiers; pewterers; tile makers and ploughboys.
Born in Ireland in the 7th century, St. Fiacre was a monk turned hermit who became known for his healing herbs, prayers and food. After fleeing Ireland in a desperate attempt to find solitary peace, St. Fiacre traveled to France with where he performed his first miracle.
Approaching the Bishop of Meaux for land with space build a guest house and chapel, St. Fiacre was given a small plot of land in Breuil, in the province of Brie where he established long-lived orchards and gardens. His festival is celebrated on the 30th of August. He is the Patron Saint of Brie and gardeners invoke him as their protector against pests and crop failure.
Saint Fiacre’s Black Gardener’s Celtic Cross Clipart by Alexandra Grey is available at Cross of the Day Free Cross Clipart here.
Red Celtic Cross
Alexandra Grey 2009
Our Free Red Celtic Square Cross is a simplified version of an eighth century square Celtic cross-decorated vertical grave stone in Fahan Mura, Co. Donegal.
In early Britain, suicides were buried at the crossroad under the crude cross that the two roads represented, adding to the air of the supernatural. Crossroads also symbolize the space “betwixt and between” where miracles can happen and mystical forces could be contacted just before dawn.
The four cross arms of the square Celtic cross represent the four elements of earth, air, fire and water. The center shows the 4 elements meeting at a crossroads.
The Fahan Mura Cross rests in a quiet graveyard next alongside the road from Letterkenny to Buncarna.
This early 7th century cross-slab is 6 1/2 feet and demonstrates a close connection with Scotland, where the shape is more common. The intertwined hand carved knotwork is believed to represent the Tree of Life with its roots on the earth and its branches high in the air symbolized a connection between heaven and earth.
For more images of the Fahan Mura Standing Slab, click here.